Michael Feuerstack

Harmonize the Moon is out everywhere now! 

>> Order Harmonize the Moon
>> Hear Michael on Kreative Kontrol Podcast
>> Hear Michael on Hitmakers Podcast

I’m so extremely proud of this record. It represents a new height in confidence, concision and self-sufficiency in my work – and by extension life in general.

The term ‘pivot’ has really been abused this year, but I really can’t think of a more poetic word to describe how this record came to be. It was meant to be one thing and circumstances turned it into another. When the pandemic “dropped” (ugh forgive me, I couldn’t resist), I was in late stage plans to head into the studio with some amazing musicians to make a very upbeat and wiry record of an entirely different nature with an entirely different batch of songs. The plan changed, as it did for everyone. That record has yet to be made.

Luckily, the songs which comprise Harmonize the Moon were also lying around in various states of development. They were destined for some future session, the vision for which involved lots of players in a fancy studio helping to build panoramic and lush versions of these delicate little pieces. Once it became clear that we were all collectively facing some long-term solo time, it occurred to me that these songs could also work in this way that you  hear them now. Though I’ve always been involved in my own recordings, I was feeling increasingly empowered by my production and mixing work for others in recent years (Camille Delean, The Fire Harvest, Taung Child in the City and Big Share to name a few). I really felt I could make something special with only the resources I have in front of me.

Harmonize the Moon is the product of some beautiful alone time. I tried to be rigorous with myself and the process: to edit lovingly and ruthlessly, to create performances that represented a moment in time worth building on.  I tried to channel a different character (or at least a different facet of my personality) for each instrument I added. No one else heard a peep until I had already done a fairly presentable draft of the mixes. Hpwever, to me it really feels like everyone I’ve ever played with appears on this record in some way or another, subtle or blatant. I wouldn’t be able to do much without that ongoing, loving lifetime of collaboration and connection.

I’m very grateful to Philip Shaw Bova who mastered the record, Paul Henderson for the incredible original artwork and design, and of course Forward Music Group for making it into a real thing.

But wait – there’s new Bell Orchestre music as well…

Bell Orchestre’s House Music is out today too via Erased Tapes. My head is reeling. I can’t even imagine how you must feel if you’ve gotten this far in the post. House Music was made from improvised sessions with all of us playing together – no roadmap or specific destination. Though we certainly edited and embellished, this music was completely communal at its inception. For me personally, having these two releases land on the same day serves as a beautiful reminder of the twists and turns and intense variety that my creative life has lead me through so far. So much more to come.

Harmonize the Moon (my 5th record since changing my name to my name) becomes available on March 19 via Forward Music Group, but in the meantime please spend some time with Time to Burn and consider pre-ordering the record or pre-saving it in your streaming world.

The artwork for the single is a detail of the album cover collage by Paul Henderson.

Please enjoy this tantalizer, shot by MF and edited by Ian Roy.

Hi friends,

Thanks for checking in and happy new year to you all.
2019 was big, both for my own songs and for productions and collaborations with others. Keep your eyes on this space for news about upcoming releases that I played on or helped bring into the world. Bell Orchestre did a small string of shows in Europe (including 2 with the Aarhus Symphony Orchestra conducted by Andre de Ridder), and I worked on the recording and mixing of upcoming releases by Camille Delean and Big Share among others.

As for new music of my own – I’ve been working on writing new songs and there will be a new record this year. That’s all I really know for now.
I can’t wait to cross your path again. Hopefully 2020 brings me to you, dear reader.
xo MF

Happy 2019 to you, dear friends and listeners.

Looking back on 2018, I’m reminded of a year of amazing projects and collaborations.

– played guitar on Chris Velan‘s amazing album ‘Amateur Hour’
– European tour in June
– released ‘Natural Weather’ and played incredible shows with a sweet new band to launch it (and I’m shocked and humbled to see it on a few year end lists)
– recorded and mixed ‘Open Water,’ the upcoming release by Utrecht band The Fire Harvest (look for it in 2019)
– toured Eastern Canada opening for and singing with The Barr Brothers
– continued in depth, ongoing work on Camille Delean‘s (to be) incredible second album
– contributed to the new release and installation concerts by Thus Owls (see playlist below)
– reunited for 3 wild and vital shows with Julie Doiron & the Wooden Stars
– after more than a few years, we settled on a final mix (by Jace Lacek) for the newest Bell Orchestre recording (to be made public sometime later in 2019)
– countless other concerts, sessions and happenings but this list is already long

All of this activity means the world to me. Thank you so much for your openness and curiousity and for bearing witness to it all.
Much love and see you in 2019. Lots of plans in the works.
xo mf

Photo by Corey Isenor (thanks)

Hello everyone,

I’m very happy to introduce to you my new (and 4th post-Snailhouse) full-length recording, Natural Weather. You’ve possibly heard a few and bits and pieces, but it’s finally available as of now in its entirety from Forward Music Group.

Please give Natural Weather a listen and ‘follow’ and ‘like’ wherever it feels appropriate. It’s at all the usual spots.
Listen – hyperurl.co/segipx
Order – https://www.forwardmusicgroup.com/release/fmg070-mf-natural-weather/

I’m immensely proud of this record. Much of the process was spent frighteningly alone with my thoughts, but I am extremely grateful to have had the contributions of some of the best badasses in the biz: Jeremy Gara on drums, Sarah Neufeld on violin, and Camille Delean, Mike O’Brien and Michelle Tompkins (Sin and Swoon) on backing vocals.

European tour dates were amazing (huge thanks to all involved), and stay tuned for Canadian launch dates down the line.

Your loyalty and continued curiosity mean the world to me.
Thanks.

xo MF

Some recent praise:

“excellent” – One Chord To Another – A Finnish Pop Site
“a collection of Zen ballads that feels breezy, natural and duly wise for his age” – Exclaim!
“crafting minute observations on love, death and living” – CBC Music
“Feuerstack’s lyrical and vocal prowess that will wow even seasoned lovers of the genre.” –Canadian Beats

And finally, in case you missed it, here is the gorgeous video Jon Claytor made for “Love Is All Around.” https://youtu.be/ObgcgUIWcB4